Compare: Amazon Craigslist eBay Google Shopping
Antique Sewing Treen a rosewood Tunbridge ware Silk Spinner Thomas Barton C.1870
Returns Accepted 396 Reviews from Buyers Seller ratingRatings Safe and secure paymentsSafe and secure payments. 100% Satisfaction Guaranteed
Antique Sewing Treen a rosewood Tunbridge ware Silk Spinner Thomas Barton C.1870

Antique Sewing Treen a rosewood Tunbridge ware Silk Spinner Thomas Barton C.1870

91.2
£96.0 (5% off)
[~$120.81]
Buy Now
About this Item
Available stock:1
Guarantee: Paypal Buyer Protection
Location: london
Handling Time:3 business days
Returns: Accepted
Share:
About the Seller
ShippingHandling time and Shipping policy

antique sewing : [sewing accessories]
antique treen : [Edward Nye]
Thomas Barton : [desk accessories]
Tunbridge Ware : [antique Tunbridge Ware]
Original/Repro : [Original]
Style/ Period : [Victorian]
Primary Material : [Wood/ Woodenware]
Age : [1850-1899]
Product Type : [Treen]
Product Sub-Type : [Stamp Box]
Sub-Type : [Rosewood]
Product : [Sewing Antiques]
Show More
© 2018 PixalSoft. All Rights Reserved
About This Item
Item Specification
TrueGether Antique Sewing Treen : A superior rosewood Thomas Barton Tunbridge ware Silk Spinner / Needle Holder C. 1870 A wonderful superior rosewood Tunbridge ware Silk Spinner / Needle Holder attributed to Thomas Barton decorated with a star motif Circa: 1870 1.75 inches (4.5cm) dia approx Good Antique Condition - with light wear commensurate with age as expected and insignificant age cracks exaggerated in the images all mentioned for accuracy - please view images - attributed to Thomas Barton Thomas Barton was employed by Edmund Nye's workshop in Tunbridge Wells in 1836. His abilities were quickly recognised and he soon became a foreman and designer, working on important projects to be exhibited at The Great Exhibition in 1851. On Nye's death in 1863 Barton took over the business at The Chalet on Mt. Ephraim, Tunbridge Wells, where he stayed until the end of the century. Barton died in 1903. Barton was exceptionally skilled and received royal patronage. The designs he created whilst with Nye and in his own right are some of the most distinctive and easily recognisable. Much of his work was labelled. Like Edmund Nye, Barton used Berlin woolwork designs, with large floral panels and intricate borders. In contrast to the floral designs, he also favoured perspective cube work and Van Dykes, which had been popular in the 1840's. Ebony and Coromandel were used frequently by Barton and he used 'green oak' (timber attacked by the fungus chlorosplenium aeruginosum), in larger quantities than any other maker. Whilst probably responsible for the designs of some of the topographical subjects produced by Edmund Nye, Barton only made a view of Eridge and the perspective view of Battle Abbey Gatehouse in his own right. Thomas Barton's design's included star patterns Photo gallery click to enlarge